The work on the new album is progressing faster than I imagined: still 3-4 songs and I can be satisfied.
Small technical and stylistic anticipations: an increased presence of brasses and experimental philological combinations of instruments from the past for an album which indeed has an ancient flavor, but it’s no longer circumscribed to a specific geographical area or historical period. And since persisted the intention not to use vocal vst (when Furvus was born I did everything by myself and I wish this tradition was preserved) I have therefore introduced
new register and timbre variations of my voice to enrich the choral scores.
What else? Naturalistic field recordings like the old days…
… and only real percussions / idiophones. ALL OF THEM.