{"id":6541,"date":"2020-04-21T16:20:40","date_gmt":"2020-04-21T16:20:40","guid":{"rendered":"http:\/\/entropiste.com\/entr%C3%A9e\/?p=6541"},"modified":"2020-08-25T20:50:01","modified_gmt":"2020-08-25T20:50:01","slug":"new-f-ormal-l-ogic-d-ecay-album-is-getting-on","status":"publish","type":"post","link":"https:\/\/entropiste.com\/entr%C3%A9e\/?p=6541","title":{"rendered":"new F.ormal L.ogic D.ecay album is getting on"},"content":{"rendered":"<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">What better opportunity than this to feel out of time and complete a nostalgic work that has little to do with the contemporary one? Just in these days I am finishing the first of a series of albums entitled &#8220;Oxidierte Elektronik&#8221;, dedicated to electronic \/ experimental sonorities born between the early 70s and mid 80s, an integral part of my cultural background as a musician. And I wanted to do it with an almost philological dedication, starting from the timbres choice (vintage instrumentation or emulations \/ samplings of historical and to some extent inaccessible gears) up to the very analogical and often improvised workflow.<\/span><\/p>\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/entropiste.com\/entr%C3%A9e\/wp-content\/uploads\/2020\/08\/FLD-21-aprile-2020-700-px.jpg\" alt=\"\" class=\"wp-image-6556\" width=\"700\" height=\"525\" srcset=\"https:\/\/entropiste.com\/entr%C3%A9e\/wp-content\/uploads\/2020\/08\/FLD-21-aprile-2020-700-px.jpg 700w, https:\/\/entropiste.com\/entr%C3%A9e\/wp-content\/uploads\/2020\/08\/FLD-21-aprile-2020-700-px-300x225.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" title=\"\"><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>What better opportunity than this to feel out of time and complete a nostalgic work that has little to do with the contemporary one? Just in these days I am finishing the first of a series of albums entitled &#8220;Oxidierte Elektronik&#8221;, dedicated to electronic \/ experimental sonorities born between the early 70s and mid 80s, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wp_social_preview_title":"","wp_social_preview_description":"","wp_social_preview_image":0},"categories":[222,254],"tags":[244,237],"post_folder":[],"_links":{"self":[{"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/posts\/6541"}],"collection":[{"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6541"}],"version-history":[{"count":5,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/posts\/6541\/revisions"}],"predecessor-version":[{"id":6558,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/posts\/6541\/revisions\/6558"}],"wp:attachment":[{"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6541"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Fpost_folder&post=6541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}