{"id":6536,"date":"2018-02-26T16:12:59","date_gmt":"2018-02-26T16:12:59","guid":{"rendered":"http:\/\/entropiste.com\/entr%C3%A9e\/?p=6536"},"modified":"2020-08-25T20:50:24","modified_gmt":"2020-08-25T20:50:24","slug":"the-really-new-f-ormal-l-ogic-d-ecay-album","status":"publish","type":"post","link":"https:\/\/entropiste.com\/entr%C3%A9e\/?p=6536","title":{"rendered":"the really new F.ormal L.ogic D.ecay album"},"content":{"rendered":"<p class=\"p1\" style=\"text-align: center;\"><span class=\"s1\">During the experimentation and improvisation of the last live shows the desire (and with it the mental processes) to record a r\u00e9tro electronic record halfway between the lysergic dynamism of the 70s and the pressing martiality of the 80s resurfaced in me, without losing sight of the skeletal references of the less extreme electro-acoustics.<br \/>And this is how, almost immediately, the new album by F.ormal L.ogic D.ecay is taking shape\u2026 theoretically already defined; in practice on the verge of oblivion of emotionality applied to sound synthesis.<\/span><\/p>\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/entropiste.com\/entr%C3%A9e\/wp-content\/uploads\/2020\/08\/FLD-26-febbraio-2018-700-px.jpg\" alt=\"\" class=\"wp-image-6555\" width=\"700\" height=\"526\" srcset=\"https:\/\/entropiste.com\/entr%C3%A9e\/wp-content\/uploads\/2020\/08\/FLD-26-febbraio-2018-700-px.jpg 700w, https:\/\/entropiste.com\/entr%C3%A9e\/wp-content\/uploads\/2020\/08\/FLD-26-febbraio-2018-700-px-300x225.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" title=\"\"><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>During the experimentation and improvisation of the last live shows the desire (and with it the mental processes) to record a r\u00e9tro electronic record halfway between the lysergic dynamism of the 70s and the pressing martiality of the 80s resurfaced in me, without losing sight of the skeletal references of the less extreme electro-acoustics.And this [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wp_social_preview_title":"","wp_social_preview_description":"","wp_social_preview_image":0},"categories":[222,254,1],"tags":[244,237],"post_folder":[],"_links":{"self":[{"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/posts\/6536"}],"collection":[{"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6536"}],"version-history":[{"count":6,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/posts\/6536\/revisions"}],"predecessor-version":[{"id":6648,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/posts\/6536\/revisions\/6648"}],"wp:attachment":[{"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6536"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Fpost_folder&post=6536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}