{"id":3699,"date":"2020-06-01T00:02:01","date_gmt":"2020-06-01T00:02:01","guid":{"rendered":"http:\/\/entropiste.com\/entropie\/?page_id=3699"},"modified":"2026-07-07T19:16:57","modified_gmt":"2026-07-07T18:16:57","slug":"credits","status":"publish","type":"page","link":"https:\/\/entropiste.com\/entr%C3%A9e\/?page_id=3699","title":{"rendered":"\u25b8 Credits"},"content":{"rendered":"\n<br><br>\n\n\n\n<p class=\"has-medium-font-size\"><strong>DIRECTOR<\/strong> (<strong>CINEMA<\/strong>)<\/p>\n\n\n\n<p><meta charset=\"utf-8\">&#8220;Ancora noi&#8221; (official Giovanni Cifarelli&#8217;s videoclip) (2026)<\/p>\n\n\n\n<p>&#8220;Maxima Culpa&#8221; (official Barbarian&#8217;s videoclip) (2026)<meta charset=\"utf-8\"><meta charset=\"utf-8\"><\/p>\n\n\n\n<p>&#8220;Una vita fuori sincrono&#8221; (aka &#8220;Out of sync life&#8221;) (2025)<\/p>\n\n\n\n<p>&#8220;Civilitas &#8211; Variations on Total Institution No.3&#8221; (2024)<\/p>\n\n\n\n<p>&#8220;Convergenze dell&#8217;Io&#8221; (aka &#8220;Convergences of the Ego&#8221;) (2023)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background\" style=\"background-color:#d9ce6c;color:#d9ce6c\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>COMPOSER<\/strong> (<strong>COMMERCIALS<\/strong>)<\/p>\n\n\n\n<p>&#8220;Tutto \u00e8 vita &#8211; Centro Antiviolenza Elisabetta Fiorilli&#8221; (TV spot, 2025) &#8211; sync music<\/p>\n\n\n\n<p><meta charset=\"utf-8\">&#8220;Immagina&#8217;s Filmmaking course&#8221; (web spot, 2024) &#8211; sync music<\/p>\n\n\n\n<p><meta charset=\"utf-8\">&#8220;Immagina&#8217;s Voice Acting course&#8221; (web spot, 2024) &#8211; sync music<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background\" style=\"background-color:#d9ce6c;color:#d9ce6c\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>COMPOSER<\/strong> (<strong>CINEMA<\/strong>)<\/p>\n\n\n\n<p>&#8220;Civilitas &#8211; Variations on Total Institution No.3&#8221; (2024, directed by Luigi Maria Mennella) &#8211; soundtrack \/ sound design<\/p>\n\n\n\n<p>&#8220;Inch&#8217; Allah \u00c7a Va&#8221; (2024, directed by Achraf Karkaba) &#8211; <meta charset=\"utf-8\">sync music \/ sound design<meta charset=\"utf-8\"><\/p>\n\n\n\n<p>&#8220;Il peccato della fortuna&#8221; (2024, directed by Caterina Valente) &#8211; <meta charset=\"utf-8\">soundtrack \/ sound design<meta charset=\"utf-8\"><\/p>\n\n\n\n<p>&#8220;Mai pi\u00f9 sole&#8221; (2024, directed by Martina Mannucci Styler) &#8211; soundtrack (vocal special guest Verdiana Raw)<br><br>&#8220;Arise! \/ \u8d77\u6765&#8221; (2024, directed by Leonardo Santetti) &#8211; soundtrack \/ sound design<br><br>&#8220;Insatiable&#8221; (2024, directed by Paolo Caruso) &#8211; <meta charset=\"utf-8\">soundtrack \/ sound design<\/p>\n\n\n\n<p>&#8220;Rosso&#8221; (2024, directed by Samuele Bellini) &#8211; soundtrack \/ sound design<\/p>\n\n\n\n<p>&#8220;Il Regista&#8221; (2023, directed by Angelo Pandolfi) &#8211; soundtrack \/ sound design<\/p>\n\n\n\n<p>&#8220;Futuri Primitivi&#8221; (2023, directed by Massimiliano Nocco) &#8211; soundtrack<\/p>\n\n\n\n<p>&#8220;Il raccoglitore di alghe&#8221; (2023, directed by Paolo Santangelo) &#8211; soundtrack<\/p>\n\n\n\n<p>&#8220;Convergenze dell&#8217;Io&#8221; (2023, directed by Luigi Maria Mennella) &#8211; soundtrack \/ sound design<\/p>\n\n\n\n<p><meta charset=\"utf-8\">\u201cSoqquadro\u201d (2023, directed by Samuele Fontanelli) &#8211; soundtrack \/ sound design<\/p>\n\n\n\n<p>\u201cCoulrofobia\u201d (2022, directed by Elisa Gini) &#8211; soundtrack \/ sound design<\/p>\n\n\n\n<p>\u201cOne night suddenly\u201d (2022, directed by Davide Nesti) &#8211; soundtrack \/ sound design<\/p>\n\n\n\n<p>&#8220;Quando una storia \u00e8 solo una storia&#8221; (2022, directed by Giuseppe Ferlito) &#8211; soundtrack \/ sound design<\/p>\n\n\n\n<p>&#8220;Louis&#8221; (2022, directed by Marco Majonchi) &#8211; soundtrack \/ sound design<\/p>\n\n\n\n<p>\u201cNdixakiwe (Rootless)\u201d (2022, directed by Augusta Wicht) &#8211; soundtrack \/ additional sound design [post-production in progress]<\/p>\n\n\n\n<p>\u201cRiflesso del tempo\u201d (2022, directed by Mattia Lulli) &#8211; sound design<\/p>\n\n\n\n<p>\u201cTwo Sisters\u201d (2022, directed by Diego Carli) &#8211; soundtrack \/ sound design<\/p>\n\n\n\n<p>\u201cNeverland\u201d (2021, directed by Nam Nguyen) &#8211; soundtrack<\/p>\n\n\n\n<p>\u201cCinque piccoli frammenti di Stefano\u201d (2021, directed by Giuseppe Ferlito) &#8211; soundtrack<\/p>\n\n\n\n<p>\u201cOltre il tempo\u201d (2021, directed by Giuseppe Ferlito) &#8211; soundtrack \/ sound design<\/p>\n\n\n\n<p>\u201cVecchio mondo\u201d (2021, directed by Giuseppe Ferlito) &#8211; main theme<\/p>\n\n\n\n<p>\u201cHouse of the hanging\u201d (2020, directed by Thierry Janssens) \u2013 main theme<\/p>\n\n\n\n<p>\u201cLibert\u00e0\u201d (2020, directed by Mauro Conciatori) &#8211; main theme [abandoned project]<\/p>\n\n\n\n<p>\u201cX-PRNC\u201d (2017, directed by Hermes Mangialardo) &#8211; soundtrack<\/p>\n\n\n\n<p>\u201cMusica da vedere\u201d (2017, Roma Film Corto Festival) &#8211; music tracks for namesake competition<\/p>\n\n\n\n<p>\u201cUn Padre\u201d (2017, directed by Roberto Gneo) &#8211; soundtrack<\/p>\n\n\n\n<p>\u201cL\u2019 Amore ormai\u201d (2014, directed by Roberto Gneo and Massimo Pellegrinotti) &#8211; original soundtrack [by choice of the authors, the film was released without sonorization]<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background\" style=\"background-color:#d9ce6c;color:#d9ce6c\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong><meta charset=\"utf-8\"><strong>MISCELLANEOUS<\/strong><\/strong> <strong>(CINEMA)<\/strong><\/p>\n\n\n\n<p><meta charset=\"utf-8\"><meta charset=\"utf-8\"><meta charset=\"utf-8\">\u201cDecalcomania\u201d (2025, directed by Ilenia Scermino &#8211;&nbsp; boom operator \/ first assistant camera<\/p>\n\n\n\n<p>\u201cIl Mito di Celestre\u201d (<meta charset=\"utf-8\">2025, directed by Edoardo Franceschi) &#8211; boom operator<\/p>\n\n\n\n<p>\u201cFase 5\u201d (<meta charset=\"utf-8\">2025, directed by Giulia Morfea) &#8211; boom operator \/ <meta charset=\"utf-8\">first assistant camera<\/p>\n\n\n\n<p>\u201cJunun\u201d (2025, directed by Giulio Francini) &#8211; boom operator<\/p>\n\n\n\n<p>\u201cWe are the people\u201d (2025, directed by Pietro Borgogno) &#8211; sound engineer \/ boom operator<\/p>\n\n\n\n<p><meta charset=\"utf-8\">&#8220;Maxima Culpa&#8221; &#8211; official Barbarian&#8217;s videoclip (2025, directed by Luigi Maria Mennella) &#8211; script \/ video &amp; sound edit<\/p>\n\n\n\n<p><meta charset=\"utf-8\"><meta charset=\"utf-8\">&#8220;Resta vivo&#8221; (2025, directed by Francesco Ciocia Vida) &#8211; <meta charset=\"utf-8\">boom operator<\/p>\n\n\n\n<p>&#8220;Civilitas &#8211; Variations on Total Institution No.3&#8221; (2024, directed by Luigi Maria Mennella) &#8211; <meta charset=\"utf-8\">video &amp; sound edit \/ actor<\/p>\n\n\n\n<p><meta charset=\"utf-8\"><meta charset=\"utf-8\">&#8220;Inch&#8217; Allah \u00c7a Va&#8221; (2024, directed by Achraf Karkaba) &#8211; boom operator<\/p>\n\n\n\n<p><meta charset=\"utf-8\"><meta charset=\"utf-8\">&#8220;Festa di compleanno&#8221; (2024, directed by Pietro Spadaro) &#8211; boom operator<\/p>\n\n\n\n<p><meta charset=\"utf-8\">\u201cBianca non sorride pi\u00f9\u201d (2024, directed by Giuseppe Ferlito) &#8211; boom operator<meta charset=\"utf-8\"> \/ 2nd assistant director<\/p>\n\n\n\n<p>&#8220;Rosso&#8221; (2024, directed by Samuele Bellini) &#8211; re-recording mixer \/ painting for hire<\/p>\n\n\n\n<p><meta charset=\"utf-8\">\u201cSimmetria d&#8217;amore\u201d (2023, directed by Giuseppe Ferlito) &#8211; boom operator<meta charset=\"utf-8\"> \/ 2nd assistant director<br><br>\u201cGenealogia del male\u201d (2023, directed by Giuseppe Ferlito) &#8211; boom operator \/ 2nd assistant director<br><br>&#8220;Il raccoglitore di alghe&#8221; (2023, directed by Paolo Santangelo) &#8211; re-recording mixer<meta charset=\"utf-8\"><meta charset=\"utf-8\"><meta charset=\"utf-8\"><meta charset=\"utf-8\"><meta charset=\"utf-8\"><meta charset=\"utf-8\"><meta charset=\"utf-8\"><meta charset=\"utf-8\"><meta charset=\"utf-8\"><meta charset=\"utf-8\"><\/p>\n\n\n\n<p>&#8220;Convergenze dell&#8217;Io&#8221; (2023, directed by Luigi Maria Mennella) &#8211; foley \/ video &amp; sound edit \/ re-recording mixer<br> <br><meta charset=\"utf-8\">\u201cSoqquadro\u201d (2023, directed by Samuele Fontanelli) &#8211; <meta charset=\"utf-8\">foley \/ sound edit \/ <meta charset=\"utf-8\">re-recording mixer<br><br>\u201cCoulrofobia\u201d (2022, directed by Elisa Gini) &#8211; foley \/ sound edit \/ <meta charset=\"utf-8\">re-recording mixer<\/p>\n\n\n\n<p>\u201cOne night suddenly\u201d (2022, directed by Davide Nesti) &#8211; additional foley \/ re-recording mixer<\/p>\n\n\n\n<p>&#8220;Quando una storia \u00e8 soltanto una storia&#8221; (2022, directed by Giuseppe Ferlito) &#8211; boom operator<meta charset=\"utf-8\"> \/ 2nd assistant director<\/p>\n\n\n\n<p>&#8220;La frequenza oscura&#8221; (2022, directed by Giuseppe Ferlito) &#8211; additional sound design<\/p>\n\n\n\n<p>&#8220;Louis&#8221; (2022, directed by Marco Majonchi) &#8211; sound edit<meta charset=\"utf-8\"> \/ additional foley \/ boom operator<meta charset=\"utf-8\"> \/ <meta charset=\"utf-8\">re-recording mixer<\/p>\n\n\n\n<p>\u201cRiflesso del tempo\u201d (2022, directed by Mattia Lulli) &#8211; additional foley \/ off screen voice<meta charset=\"utf-8\"> \/ <meta charset=\"utf-8\">re-recording mixer<\/p>\n\n\n\n<p>\u201cNeverland\u201d (2021, directed by <meta charset=\"utf-8\">Nam Nguyen) &#8211; editing and subtitling for the Italian edition<\/p>\n\n\n\n<p>\u201cCinque piccoli frammenti di Stefano\u201d (2021, directed by Giuseppe Ferlito) &#8211; boom operator<meta charset=\"utf-8\"> \/ 2nd assistant director<\/p>\n\n\n\n<p>\u201cOltre il tempo\u201d (2021, directed by Giuseppe Ferlito) &#8211; boom operator<meta charset=\"utf-8\"> \/ 2nd assistant director<\/p>\n\n\n\n<p>\u201cVecchio mondo\u201d (2021, directed by Giuseppe Ferlito) &#8211; boom operator \/ 2nd assistant director<\/p>\n\n\n\n<p>\u201cJuri Camisasca &#8211; Non cercarti fuori\u201d (2018, directed by Francesco Paladino) &#8211; audio editing \/ supervision<\/p>\n\n\n\n<p>\u201cSolchi Sperimentali Italia &#8211; The Movie\u201d (2017, directed by Francesco Paladino) &#8211; 2nd DVD authoring music (credited as F.ormal L.ogic D.ecay) \/ audio supervision<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background\" style=\"background-color:#d9ce6c;color:#d9ce6c\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>COMPOSER<\/strong> (<strong>THEATRE AND PERFORMANCES<\/strong>)<\/p>\n\n\n\n<p><meta charset=\"utf-8\">Guillermo Atanes &#8211; \u201cUn viaje contigo\u201d (theatrical performance) (2019) \u2013 stage-music main theme<\/p>\n\n\n\n<p>Verdiana Raw &#8211; \u201cDe-liberati!\u201d @ Parco dell\u2019Anconella, Florence (2015) &#8211; live sonorization<\/p>\n\n\n\n<p>Andy Warhol Tribute Night &#8211; \u201cBlow Job\u201d @ Rullante Club, Florence (2013) &#8211; live sonorization<\/p>\n\n\n\n<p>Ettore Forcellini &#8211; \u201cPittura in natura\u201d @ Parco Faunistico del Monte Amiata, Grosseto (2009) &#8211; live sonorization \/ reading<\/p>\n\n\n\n<p>Sean Wrightson &#8211; \u201cFarewell to Leke K\u201d (private event, Piombino) (2005) &#8211; live sonorization<\/p>\n\n\n\n<p>Compagnia Teatrale Itinerante \u201cHors Des Murs\u201d &#8211; \u201cProgetto acusmatico | Echi marmorei\u201d@ Cava Henraux, Lucca (1998) &#8211; composition<\/p>\n\n\n\n<p>Andrea Becherini &#8211; \u201cTributo a Majakovskij (video-installazione)\u201d @ Godzilla, Livorno (1995) &#8211; composition<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background\" style=\"background-color:#d9ce6c;color:#d9ce6c\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>MUSIC COLLABORATIONS<\/strong><\/p>\n\n\n\n<p><meta charset=\"utf-8\">Gloria Silente &#8211; \u201cBalli della terra\u201c &#8211; song (2022) &#8211; arrangement, synths, mellotron, vocals and choirs (studio)<\/p>\n\n\n\n<p>Francesco Paladino &#8211; \u201cDe musica et in fungorum effectis\u201d &#8211; 4 x CD set (2020) &#8211; for \u2018the collective voice of John Cage\u2019, spokens on track 2 and 13 (studio)<\/p>\n\n\n\n<p>Gloria Silente &#8211; \u201cBetween the Sky and the Sea\u201c &#8211; song (2018) &#8211; vocals, choirs, e-cello (studio)<\/p>\n\n\n\n<p>Nemoria (2016) &#8211; keyboards (live)<\/p>\n\n\n\n<p>Verdiana Raw &#8211; \u201cWhales know the route\u201d &#8211; CD (2016)&nbsp; [Pippola Music] &#8211; vocal samples on \u201cOn the road to Thelema\u201d (studio)<\/p>\n\n\n\n<p>Corkscrew \u2116 4453556 &#8211; \u201cPhiloctomy\u201d &#8211; song (2015) &#8211; vocals, keyboards (studio)<\/p>\n\n\n\n<p>Alexander Burke &#8211; \u201cHimalaya\u201d &#8211; song (2014) &#8211; vocals (studio)<\/p>\n\n\n\n<p>Star Matter &#8211; \u201cChemTrails_Era\u201d &#8211; CD (2013) &#8211; vocals on \u201cPlastic Clouds\u201d and \u201cAncient Domination &#8211; games over\u201d (studio)<\/p>\n\n\n\n<p>Oda Relicta &#8211; \u201cUnvanquished Knight\u201d &#8211; song (2012) &#8211; vocals \/ choirs, instruments, re-arrangements (studio)<\/p>\n\n\n\n<p>Altar of Perversion &#8211; \u201cFrom Dead Temples (Towards The Ast&#8217;ral Path)\u201d &#8211; LP (2001) [End All Life] &#8211; Intermezzo I, II, III, IV, V, VI and VII + Outro (studio)<\/p>\n\n\n\n<p>Frostmoon Eclipse &#8211; \u201cSupreme Triumph in Black\u201d &#8211; CD (1999) [B.T.O.D. Records] &#8211; keyboards (session)<\/p>\n\n\n\n<p>Frostmoon Eclipse &#8211; \u201cRevenge in Scorn\u201d &#8211; 7\u201d EP (2000) [Maggot] &#8211; keyboards (session)<\/p>\n\n\n\n<p>Frostmoon Eclipse &#8211; \u201cGathering the Dark\u201d &#8211; CD (2001) [ISO666 Releases] &#8211; keyboards (session)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background\" style=\"background-color:#d9ce6c;color:#d9ce6c\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>EXECUTIVE-PRODUCTION (MUSIC)&nbsp;<\/strong><\/p>\n\n\n\n<p>Ouroboros &#8211; \u201cNigredo\u201d &#8211; CD (2015)<\/p>\n\n\n\n<p>Tung\u00fcska&nbsp; &#8211; \u201cTung\u00fcska&nbsp; MMXV\u201d &#8211; CD (2015) (2 editions)<\/p>\n\n\n\n<p>Ouroboros &#8211; \u201c\u200eJanua Inferi &#8211; Aucta Editio\u201d &#8211; CD (2013)<\/p>\n\n\n\n<p>Runes Order &#8211; \u201cThe Dark Side of Brain\u201d &#8211; CD (2013) (3 editions)<\/p>\n\n\n\n<p>Various &#8211; \u201cThe Power Propaganda\u201d &#8211; CD (2004)<\/p>\n\n\n\n<p>P. Miles Bryson &#8211; \u201cPrelude In Sunset After Ophelia\u201d &#8211; CD (2003)&nbsp;<\/p>\n\n\n\n<p>Psychonaut 75 &#8211; \u201cPylon of Daath\u201d &#8211; CD (2003) (2 editions)<\/p>\n\n\n\n<p>Altroquando &#8211; \u201cSurvivals Of Time\u201d &#8211; CD (2003)<\/p>\n\n\n\n<p>Murder Corporation \/ P.O.S.K. &#8211; \u201c&lt;same&gt;\u201d &#8211; CD (2002)<\/p>\n\n\n\n<p>Lycosa Raptoria &#8211; \u201cMutagenesi\u201d &#8211; CD (2002)<\/p>\n\n\n\n<p>Key_on &#8211; \u201cMy Body Is A Body\u201d &#8211; MCD (2002) &nbsp;<\/p>\n\n\n\n<p>Mortar \/ Manifesto &#8211; \u201cSepulchres \/ \u0391 \u03a9\u201d &#8211; CD (2002)<\/p>\n\n\n\n<p>Mortar &#8211; \u201cEndless Fall\u201d &#8211; MCD (2002)<\/p>\n\n\n\n<p>Violet Tears &#8211; \u201cFragments of Broken Dreams\u201d &#8211; CD (2001)<\/p>\n\n\n\n<p>Manifesto &#8211; \u201c&lt;same&gt;\u201d &#8211; CD (2001)<\/p>\n\n\n\n<p>P.O.S.K. &#8211; \u201cFruit of Sin\u201d &#8211; CD (2001)<\/p>\n\n\n\n<p>Immortal Agony &#8211; \u201c\u200eThe Queen Of Heaven &amp; The Queen Of Hell\u2026\u201d &#8211; CD (2001)<\/p>\n\n\n\n<p>Black Mountains Chronicles &#8211; \u201cThree Legends Of Zylia\u201d &#8211; MCD (2001)<\/p>\n\n\n\n<p>P.O.S.K. &#8211; \u201cPeoples\u2019 Temple\u201d &#8211; CD (2000) (2 editions)<\/p>\n\n\n\n<p>Black Mountains Chronicles &#8211; \u201c\u200eArchaic Arcana\u201d &#8211; CD (2000)(2 editions)<\/p>\n\n\n\n<p>Ukrivolsa &#8211; \u201cCredo Quia Absurdum\u201d (2000) (2 editions)<\/p>\n\n\n\n<p>Tombstone &#8211; \u201cThe Citadel\u2026\u201d &#8211; CD (2000) (2 editions)<\/p>\n\n\n\n<p>Never Known &#8211; \u201cLive At The Cosmic Egg 10.06.2000\u201d &#8211; CD (2000)<\/p>\n\n\n\n<p>Tombstone &#8211; \u201cUnder a Bloody Veil\u2026\u201d &#8211; CD (1999)<\/p>\n\n\n\n<p>VII Arcano &#8211; \u201cPromo MCMICIX\u201d &#8211; MCD (1999)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background\" style=\"background-color:#d9ce6c;color:#d9ce6c\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>CO-PRODUCTIONS (MUSIC)<\/strong><\/p>\n\n\n\n<p>M-Brane &#8211; \u201c\u03a9\u201d &#8211; CD (2014)<\/p>\n\n\n\n<p>Haze &#8211; \u201cMantricoom\u201d &#8211; CD (2014)&nbsp;<\/p>\n\n\n\n<p>Runes Order &#8211; \u201cThe Art of Scare and Sorrow\u201d &#8211; CD (2014)<\/p>\n\n\n\n<p>Morva &#8211; \u201c\u00d8\u201d &#8211; CD (2003)<\/p>\n\n\n\n<p>Various &#8211; \u201cThe Suns of Lutetius\u201d &#8211; CD (2000)<\/p>\n\n\n\n<p>Icycore &#8211; \u201cAltered Feelings\u201d &#8211; MCD (1998)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background\" style=\"background-color:#d9ce6c;color:#d9ce6c\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>ARTWORK | GRAPHIC WORKS (MUSIC DEPARTMENT ONLY)<\/strong><\/p>\n\n\n\n<p>Disharmonic &#8211; \u201cZoroastrismo\u201d &#8211; CD (2018) &#8211; graphic \/ layout supervision, press supervision<\/p>\n\n\n\n<p>The Return of the Freezing Winds zine (2016) &#8211; logo<\/p>\n\n\n\n<p>M-Brane &#8211; \u201c\u03a9\u201d &#8211; CD (2014) &#8211; layout, graphic \/ press supervision<\/p>\n\n\n\n<p>Haze &#8211; \u201cMantricoom\u201d &#8211; CD (2014) &#8211; layout, graphics \/ press supervision<\/p>\n\n\n\n<p>Runes Order &#8211; \u201cThe Art of Scare and Sorrow\u201d &#8211; CD (2014) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Cyber Ghetto Records \/ Studio (2015) &#8211; logos<\/p>\n\n\n\n<p>Tung\u00fcska&nbsp; &#8211; \u201cTung\u00fcska&nbsp; MMXV\u201d &#8211; CD (2015) &#8211; artwork, graphics, layout, press supervision&nbsp;<\/p>\n\n\n\n<p>Ouroboros &#8211; \u201cNigredo\u201d &#8211; CD (2015) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Runes Order &#8211; \u201cThe Dark Side of Brain\u201d &#8211; CD (2013) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Ouroboros &#8211; \u201c\u200eJanua Inferi &#8211; Aucta Editio\u201d &#8211; CD (2013) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Various &#8211; \u201cThe Power Propaganda\u201d &#8211; CD (2004) &#8211; graphics, layout, press supervision<\/p>\n\n\n\n<p>P. Miles Bryson &#8211; \u201cPrelude In Sunset After Ophelia\u201d &#8211; CD (2003) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Psychonaut 75 &#8211; \u201cPylon of Daath\u201d &#8211; CD (2003) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Altroquando &#8211; \u201cSurvivals Of Time\u201d &#8211; CD (2003) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Morva &#8211; \u201c\u00d8\u201d &#8211; CD (2003) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Murder Corporation \/ P.O.S.K. &#8211; \u201c&lt;same&gt;\u201d &#8211; CD (2002) &#8211; part of artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Lycosa Raptoria &#8211; \u201cMutagenesi\u201d &#8211; CD (2002) &#8211; part of artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Key_on &#8211; \u201cMy Body Is A Body\u201d &#8211; MCD (2002)&nbsp; &#8211; part of artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Mortar \/ Manifesto &#8211; \u201cSepulchres \/ \u0391 \u03a9\u201d &#8211; CD (2002) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Mortar &#8211; \u201cEndless Fall\u201d &#8211; MCD (2002) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Violet Tears &#8211; \u201cFragments of Broken Dreams\u201d &#8211; CD (2001) &#8211; graphics, layout, press supervision]<\/p>\n\n\n\n<p>Manifesto &#8211; \u201c&lt;same&gt;\u201d &#8211; CD (2001) &#8211; artwork, graphics, layout, press supervision]<\/p>\n\n\n\n<p>P.O.S.K. &#8211; \u201cFruit of Sin\u201d &#8211; CD (2001) &#8211; part of artwork, graphics, layout, press supervision]<\/p>\n\n\n\n<p>Ensoph &#8211; \u201cBleeding Womb Of Ananke\u201d (2001) &#8211; graphic supervision, layout<\/p>\n\n\n\n<p>Immortal Agony &#8211; \u201c\u200eThe Queen Of Heaven &amp; The Queen Of Hell\u2026\u201d &#8211; CD (2001) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Black Mountains Chronicles &#8211; \u201cThree Legends Of Zylia\u201d &#8211; MCD (2001) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Cromlech &#8211; \u201cThe Vulture Tones\u201d &#8211; MCD (2000) &#8211; part of the graphics, layout<\/p>\n\n\n\n<p>Paul Chain &#8211; \u201cSolitude Man\u201d &#8211; 7\u201dEP (2000) &#8211; graphics, layout<\/p>\n\n\n\n<p>Nenia &#8211; \u201dLa Casa Del Dolore\u201d &#8211; CD (2000) &#8211; artwork, graphics, layout<\/p>\n\n\n\n<p>Astray &#8211; \u201cAlone\u201d &#8211; MCD (2000) &#8211; part of the graphics, layout, digital treatments<\/p>\n\n\n\n<p>Antropofagus &#8211; \u201cAlive Is Good&#8230; Dead Is Better!\u201d &#8211; MCD (2001) &#8211; graphic \/ layout supervision, digital treatments<\/p>\n\n\n\n<p>Satarial &#8211; \u201c\u200eHeidenlarm\u201d &#8211; CD (2001) &#8211; part of artwork, digital treatments, layout<\/p>\n\n\n\n<p>Abhor &#8211; \u201cNequaquam Vacuum\u201d &#8211; graphic supervision, layout<\/p>\n\n\n\n<p>Antropofagus &#8211; \u201c\u200eNo Waste Of Flesh\u201d &#8211; CD (1999) &#8211; graphic supervision, layout, digital treatments<\/p>\n\n\n\n<p>Nortt &#8211; \u201c\u200eGraven\u201d &#8211; PDK (2002) &#8211; press supervision<\/p>\n\n\n\n<p>Second Lass &#8211; \u201cTry to paint a fitfull love\u201d &#8211; CD (2002) &#8211; artwork, digital treatmensts, layout<\/p>\n\n\n\n<p>Okkultum Magnificentia&nbsp;\u200e\u2013&nbsp;\u201cSatanick Astral Osmosis\u201d &#8211; 7\u201dEP (2002) &#8211; press supervision<\/p>\n\n\n\n<p>Kaprog\u00f6at &#8211; \u201cThe Sweet Sound Of Apocalypse\u201d (2002) &#8211; press supervision<\/p>\n\n\n\n<p>Revenant \u200e\u2013 \u201cChaos Paradox\u201d &#8211; MCD (2001) &#8211; digital treatments, layout<\/p>\n\n\n\n<p>Nefarium &#8211; \u201c\u200eAvernus\u201d &#8211; 7\u201dEP (2001) &#8211; graphic supervision, digital treatments<\/p>\n\n\n\n<p>P.O.S.K. &#8211; \u201cPeoples\u2019 Temple\u201d &#8211; CD (2000) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Evol &#8211; \u201c\u200eTower Of Necromancer\u201d &#8211; 7\u201dEP (2000) &#8211; press supervision<\/p>\n\n\n\n<p>Black Mountains Chronicles &#8211; \u201c\u200eArchaic Arcana\u201d &#8211; CD (2000) &#8211; graphics, layout, press supervision<\/p>\n\n\n\n<p>Ukrivolsa &#8211; \u201cCredo Quia Absurdum\u201d (2000) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Various &#8211; \u201cThe Suns of Lutetius\u201d &#8211; CD (2000) &#8211; artwork, graphic, layout, press supervision<\/p>\n\n\n\n<p>Tombstone &#8211; \u201cThe Citadel\u2026\u201d &#8211; CD (2000) &#8211; part of artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Frostmoon Eclipse &#8211; \u201cRevenge in Scorn\u201d &#8211; 7\u201dEP (2000) &#8211; graphic supervision, layout, digital treatments<\/p>\n\n\n\n<p>Never Known &#8211; \u201cLive At The Cosmic Egg 10.06.2000\u201d &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Black Mountains Chronicle (2000) &#8211; logo<\/p>\n\n\n\n<p>Tombstone &#8211; \u201cUnder a Bloody Veil\u2026\u201d &#8211; CD (1999) &#8211; graphics, layout, press supervision<\/p>\n\n\n\n<p>Satanel &#8211; \u201cWar Ceremonial Hail\u201d &#8211; LP (1999) &#8211; graphic supervision, insert artwork \/ graphics<\/p>\n\n\n\n<p>Death Dies &#8211; \u201cThe Art Of Domination\u201d &#8211; 7\u201dEP (1999) &#8211; graphic \/ press supervision<\/p>\n\n\n\n<p>Murder Corporation &#8211; \u201cSnuff\u201d &#8211; CD (1999) &#8211; press supervision<\/p>\n\n\n\n<p>Frostmoon Eclipse &#8211; \u201cSupreme Triumph in Black\u201d &#8211; MCD (1999) &#8211; artwork, graphics, layout<\/p>\n\n\n\n<p>VII Arcano &#8211; \u201cPromo MCMICIX\u201d &#8211; MCD (1999) &#8211; graphics, layout, press supervision<\/p>\n\n\n\n<p><strong>+ ALL artwork, graphics, layout of each from my releases<\/strong> (see <a href=\"https:\/\/entropiste.com\/entropie\/discography\/\">DISCOGRAPHY<\/a>)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background\" style=\"background-color:#d9ce6c;color:#d9ce6c\"\/>\n\n\n\n<p class=\"has-medium-font-size\"><strong>MISCELLANEOUS<\/strong> <strong>(MUSIC PRODUCTION)<\/strong><\/p>\n\n\n\n<p>Francesco Paladino &#8211; \u201cJuri Camisasca &#8211; Non cercarti fuori\u201d &#8211; DVD (2018) &#8211; artwork, graphics, layout, press supervision<\/p>\n\n\n\n<p>Lorenzo Nardi &#8211; \u201cCommunication Invaders\u201d &#8211; CD (2018) &#8211; artwork, graphics, layout, audio \/ press supervision<\/p>\n\n\n\n<p>Stroboman Vs Sm \u200e\u2013 \u201cExoticas Diablita\u201d &#8211; CD (2017) &#8211; graphics \/ audio \/ press supervision<\/p>\n\n\n\n<p>Francesco Paladino &#8211; \u201cSolchi Sperimentali Italia &#8211; The Movie\u201d &#8211; DVD box (2017) &#8211; artwork, layout, 2nd DVD authoring, press supervision<\/p>\n\n\n\n<p>Maurizio Marsico \/ Riccardo Sinigaglia &#8211; \u201cNature Spontanee\u201d &#8211; CD (2017) &#8211; graphics, layout, audio \/ press supervision (2 editions)<\/p>\n\n\n\n<p>Unlogical Madmen &#8211; \u201cFobophono\u201d &#8211; CD (2014) &#8211; illustration\/artwork, audio \/ press supervision<\/p>\n\n\n\n<p>Alabama Slammer &#8211; \u201calbum-e\u201d (2014) &#8211; audio \/ press supervision<\/p>\n\n\n\n<p>The Extensive Man &#8211; \u201cAre you extended?\u201d &#8211; MCD (2014) &#8211; graphic supervision, digital treatments, layout, audio \/ press supervision<\/p>\n\n\n\n<p>Various &#8211; \u201cUna fotografia &#8211; Tributo a Claudio Rocchi\u201d &#8211; CD (2016) &#8211; artwork, graphics, layout, audio \/ press supervision<\/p>\n\n\n\n<p>Ozena &#8211; \u201cThe wannabe\u2019s vade-mecum\u201d &#8211; MCD (2014) &#8211; layout \/ audio \/ press supervision<\/p>\n\n\n\n<p>Elettrocapra&nbsp;\u200e\u2013&nbsp;\u201cL\u2019Avvento Della Grande Bestia\u201d &#8211; CD (2012) &#8211; audio \/ press supervision<\/p>\n\n\n\n<p>Verboten K\u00fcssen&nbsp;\u200e\u2013&nbsp;\u201cDodiciannimorto\u201d &#8211; MCD (2010) &#8211; audio \/ press supervision<\/p>\n\n\n\n<p>Death Dies &#8211; \u201cRebirth Of Evil One\u201d &#8211; LP (2002) &#8211; graphic \/ layout supervision, audio \/ press supervision<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background\" style=\"background-color:#d9ce6c;color:#d9ce6c\"\/>\n","protected":false},"excerpt":{"rendered":"<p>DIRECTOR (CINEMA) &#8220;Ancora noi&#8221; (official Giovanni Cifarelli&#8217;s videoclip) (2026) &#8220;Maxima Culpa&#8221; (official Barbarian&#8217;s videoclip) (2026) &#8220;Una vita fuori sincrono&#8221; (aka &#8220;Out of sync life&#8221;) (2025) &#8220;Civilitas &#8211; Variations on Total Institution No.3&#8221; (2024) &#8220;Convergenze dell&#8217;Io&#8221; (aka &#8220;Convergences of the Ego&#8221;) (2023) COMPOSER (COMMERCIALS) &#8220;Tutto \u00e8 vita &#8211; Centro Antiviolenza Elisabetta Fiorilli&#8221; (TV spot, 2025) &#8211; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"wp_social_preview_title":"","wp_social_preview_description":"","wp_social_preview_image":0},"folder":[],"_links":{"self":[{"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/pages\/3699"}],"collection":[{"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3699"}],"version-history":[{"count":48,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/pages\/3699\/revisions"}],"predecessor-version":[{"id":8528,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=\/wp\/v2\/pages\/3699\/revisions\/8528"}],"wp:attachment":[{"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3699"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/entropiste.com\/entr%C3%A9e\/index.php?rest_route=%2Fwp%2Fv2%2Ffolder&post=3699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}